Name: Feelworld SEETEC Full HD 17.3" Live Streaming Broadcast IPS LCD Monitor LUT Waveform with Multiview Display, Multiple Shooting Functions, 4-In/Out 3G-SDI, HDR, HDMI, RS485 and GPI Control Port for Live Streaming & Broadcasting | ATEM173S
Brand: Feelworld
SKU: FEELWORLD ATEM173S
Price: 44899.0 PHP
Availability: InStock

17.3”3G-SDI/HDMI Broadcast Monitor
Complete monitoring solution for live production, broadcast and post production
SEETEC ATEM173S is a full HD broadcast monitor, equipped with 4x3G-SDI inputs and outputs, 1 x HDMI input interface and RS485, GPI control interface. Adopts Rec.709 color standard, display vivid images and professional effects. Rugged and durable aluminium housing; With 3D-LUT, waveform, vectorscope, histogram, peaking focus and other wonderful functions, all of functions can be easily operated and controlled via the front panel buttons. It supports VESA standard, and can be bracket-mounted or wall-mounted installation. It is an ideal monitor for live production, broadcast and post-production!

17.3-inch Full HD LCD
The ATEM173S adopts a 17.3-inch LCD panel, with high resolution 1920x1080, accurate color reproduction, provides you natural and clear image; 300cd/㎡ brightness, 700:1 contrast ratio, 178° wide viewing angle, allows you to see clearly no matter you monitor from which angle.

Rugged and durable, easy to dissipate heat
The full aluminum alloy frame not only make the device more solid and durable, but also solve the problem of heat dissipation.

Accurate Color Reproduction Use Rec.709 color standard
Accurate color reproduction is one of the important indicators for measuring professional monitors. ATEM173S built-in 3D-LUT, adopts the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory to ensure the consistency of color reproduction of each monitor.

Flexible and Intuitive Button Operation
When you are busy at the shooting scene, you need to be able to easily control the equipment, and the ATEM173S can meet your needs. It can switch between one-button sources, custom shortcuts, and quickly adjust brightness, contrast, volume, etc. to make shooting easier. The backlight button design makes it easier for you to distinguish the current input signal and the shortcut keys used, easy to use even in dimly lit studio or outdoor environments.

Standard VESA Mounting Points
The ATEM173S is equipped with 4 standard VESA mounting points,you can mount it in a rack or hang it on a wall. Flexible mounting for a busy newsroom.

4X3G-SDI Inputs and Output Perfect SDI monitoring
ATEM173S monitors are the perfect choices to add SDI monitoring anywhere you need it. It comes with 4x3G-SDI signal inputs and outputs, suitable for multicamera shooting in crew, and simultaneous monitoring by multiple persons. In addition, it also with a HDMI input, RS485, GPI control interface, meet different needs.

Multiple Power Options Long-lasting Power Shooting
The monitor provides DC 12V/2A~3A power, XLR connector and Sony V-mount battery plate for options.
Note: The battery plate default is V-mount Plate, the client can choose Panasonic Anton Plate for optional.

Professional On Set Monitoring Tools Accurately focus and efficient monitoring
The monitor provides a series professional auxiliary monitoring tools, such as waveform, 3D-LUT, peaking filter, histogram, vectorscope, audio meter, time code, anamorphic mode, etc. All of functions can easy to select and operate from menu, also can set shortcut button or via GPI control. Effectively improve the efficiency of on-site shooting and post-production.

3D LUT, Recreate Film Looks Supports up to load 36 custom LUTs
3D-LUT is a table for quickly looking up and output specific color data. By loading different 3D-LUT tables, it can quickly recombine color tone to form different color styles. Built-in 4 DE-log LUT , you also can load the custom .cube file via USB flash disk (up to load 36).

HDR Monitoring
What you see is what you get
Supports HDR (high dynamic range) monitoring, for incredible clarity and details, effectively enhancing the overall picture quality. When HDR is activated, you can select Gamma and Gamut corresponding to the company Sony, Canon, Panasonic, Fujifilm, Bolex, RED, ARRI.

Accurate waveform monitoring
Save your budget
Built-in waveform monitoring, you can choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram, audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode （can be right/left adjustment）. ATEM173S becomes the ideal choice for live production monitoring, so you no longer need to use a separate expensive scopes!

Gynamic UMD
TSL3.1/4.0 Protocol
ATEM173S supports UMD of TSL 3.1/4.0 protocol, with 0-126 TSL address selection, and Max 16 letters displayed. The UMD inputs via RS485 port and outputs via RS485 port.

Tally Lights
GPI controls Red Tally and Green Tally, which not only can remind the photographer to enter the recording state, but also appreciate the convenience of TV shooting quasi-professional technology in your creation.

Multiple Display Mode
Meet different monitoring needs
The screen can be set to full screen, picture-in-picture and quad to meet different monitoring needs. In the picture-in-picture mode, the size and position of the sub-window can be adjusted. In the quad screen mode, supports SDI signal simultaneously display 4-channel audio meter and 4 time code.

16-Channel Audio Level Meters
The monitor can de-embedded audio from SDI and HDMI. Support select any 2 channels audio to output via 3.5mm headphone jack. Under SDI audio, it supports max 16-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported.

Custom Menu Setting
ATEM 173S provides 4 groups custom menu setting, which will be automatically saved after setting, and there is no need to reset when you turn on next time, saving time cost.

Portable Sunshade
New extended screen sun hood, to acquire the ideal visual effect in almost all environments.

Flexible and Useful Bracket
The monitor attached a U-shape bracket, it featured 3 standard 1/4-inch mounting points to help you easily complete installation and compatible with the third party rigging equipment. You can connect to magic arm to hang it on the other equipment or install it on the camera stand for the entire crew to monitor . You also can place it on the workbench for monitoring.

Quad View

Supports 4x 3G-SDI inputs.

PIP
You can adjust the proportion and position of sub window.

Brightness Histogram
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.

Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.

False Colors
The False Colors filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.

Exposure (zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.

Check Field
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.

Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X~2.00X)
Built-in selection of no squeeze, 1.3× or 2.0× allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0× mag mode, magnifies the center of your image so you can check the focus of your scaled image.

Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.

Center Marker & Safe Marker
Safe Mark for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1). You can switch the Mark color between Red, Green, Blue, White and Black according to different tone of the subject.

Ratio Marker
(4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1). Frame blanking zone includes 6 Levels, from 0-6 (Transparent to Black). You can switch the Mark color between red, green, blue, white and black according to different tone of the subject.