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Fujifilm

Fujifilm X-H2 40.2MP APS-C Mirrorless Camera with 16-80mm Lens (Black)

Fujifilm X-H2 40.2MP APS-C Mirrorless Camera with 16-80mm Lens (Black)

Regular price ₱123,990.00 PHP
Regular price ₱185,985.00 PHP Sale price ₱123,990.00 PHP
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Color

Key Features

  • • 40MP APS-C X-Trans5 BSI Sensor
  • • 7-Stop In-Body Image Stabilization
  • • 8K 30p, 4K 60p, FHD 240p 10-Bit Video
  • • 5.76m-Dot OLED Electronic Viewfinder
  • • 160MP Pixel Shift Multi-Shot
  • • 20 fps E-Shutter, 15 fps Mech. Shutter
  • • CFexpress Type B & SD UHS-II Card Slots
  • • ProRes Raw, Blackmagic Raw via HDMI
  • • Intelligent Hybrid Autofocus

FUJIFILM X-H2: Life in Detail

Fifth generation imaging technology brings high
resolution and speed to the next evolution of X Series.

Equipped with a new 40.2-megapixel sensor, X-H2 offers unrivaled image quality for both stills and video,
unlocking a world of creative possibilities far beyond what any previous
APS-C format camera has ever done before.

Pushing the boundaries of APS-C imaging, the FUJIFILM X-H2 is a high-resolution mirrorless crop-sensor camera featuring a groundbreaking 40MP BSI sensor and an arsenal of cutting-edge features packed into a small and durable X-series body. Standing atop the X-System lineup, this high performing camera inherits many of the GFX system's advances in digital capture technology to provide image quality, detail, and color rendition never before seen in a crop-sensor camera, while retaining its characteristic compact form factor and sleek design that has garnered the X-System a loyal following worldwide.

XF 16-80mm f/4.0 R OIS WR Lens Highlights

  • Lens Format: APS-C
  • Zoom Focal Length
  • Focal Length: 16-80mm
  • Lens Type: All-In-One Zoom Lens

Backside-Illuminated Sensor and 64-Bit Processing

X-Trans 5 BSI Sensor

Ideal for architectural, travel, and landscape photographers, the X-H2 sports a backside-illuminated, APS-C-format 40MP X-Trans 5 HR sensor, which ups the resolution and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo applications. The remarkable resolution allows for 2x digital zoom and has up to 13 stops of dynamic range.

X-Processor 5

Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at bit rates of up to 720 mb/s.
On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 20 fps is possible, with a buffer of 202 consecutive uncompressed raw frames. With the mechanical shutter, shooting speeds of up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.

Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables an enhanced sensitivity range from ISO 125-12800.

Powerful Video Capabilities

4K 120p and 8K 30p Internal Recording

Despite its focus on photography, the X-H2 has an impressive video system capable of 4:2:2 10-bit internal recording in 8K at 30fps and in both DCI/UHD 4K at up to 60 fps and Full HD at up to 240p. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 160 minutes are possible at all frame rates and resolutions and can be extended to 240 minutes with the external clip-on fan.

External Raw Recording

Using the full-size HDMI port, 12-bit raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 8K.
Improved Autofocus and Image Stabilization

Hybrid AF with Deep Learning AI

Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types.

Pixel Shift Multishot

Pixel Shift Multishot takes multiple exposures in rapid succession, each one precisely shifting the image sensor by half a pixel, capturing the subject on a different part of the image sensor each time and yielding a single 160-Megapixel image with the help of the Pixel Shift Combiner software.

In-Body Image Stabilization

Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Body Design

Practical and Durable Design

  • • Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
  • • Rear 3.0" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
  • • 1.28" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
  • • Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
  • • NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.

Connectivity

Full-size HDMI Type A port for outputting video to an external recorder or monitor.

USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.

3.5mm headphone and external microphone ports for greater control over audio recording.

PC sync port for flash sync.

2.5mm remote port for using wired remote controllers.

Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.

Advanced operation and controls

Updated Handgrip

X-H2 improves on X-H1’s beloved handgrip for a more assured feel. This is especially useful when using longer or large-aperture lenses.

Feather-Touch Shutter Release

The shutter button’s responsiveness has been enhanced to make it feel natural, so that the shutter can be released at precisely the right moment.


Supports CFexpress™ Type B Card

X-H2 features two card slots – one CFexpress™ Type B and one UHS-II SD. CFexpress™ Type B cards should be used to make the most of X-H2’s incredible video performance.

Enhanced Video Functions

Video operation has never been easier thanks to the standalone video-recording button and 1.62 million dot vari-angle LCD monitor, which can be fully rotated even when HDMI and microphone cables are plugged in. A full-sized HDMI Type A port is also provided.

 

Specifications

Model name FUJIFILM X-H2
Lens Mount FUJIFILM X mount
Image sensor 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HR with primary color filter
Number of effective pixels 40.2 millions pixels
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 5
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB)

*Please check Compatibility for more detail.
*Please check the list of the operation confirmed CFexpress Type B Card
File format of still image DCF Compliant with Design rule for Camera File system (DCF2.0)
JPEG Exif Ver.2.32*1
HEIF 4:2:2 10bit
RAW 14bit RAW (RAF original format)
TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels [L] 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152
[M] 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648
[S] 〈4:3〉 3464 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592
Panorama [L] 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440
[M] 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440
Digital Tele-Converter 2.0x / 1.4x / OFF
Sensitivity Still Image Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125-12800 (1/3 step)
Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200
Movie Standard Output: AUTO / ISO125-12800 (1/3 step)
Extended Output: ISO25600
Exposure control TTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure mode P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation Still -5.0EV - +5.0EV 1/3EV step
Movie -2.0EV - +2.0EV 1/3EV step
Image stabilizer Mechanism Image sensor shift mechanism with 5-axis compensation
Compensation Effect 7.0 stops
*based on CIPA standard
*Pitch/yaw shake only
*With XF35mmF1.4 R lens mounted
Digital Image Stabilization Yes (movie mode only)
IS MODE BOOST Yes (movie mode only)
Shutter type Focal Plane Shutter
Shutter speed Mechanical shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min.
Electronic shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed
Electronic front curtain shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min.
Mechanical + Electronic shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min.
*Mechanical shutter works until 1/8000sec.
E-front + Mechanical shutter P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/2000sec.
E-front + Mechanical + Electronic shutter P mode: 4sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash cannot be used.
Movie 8K: 1/8000sec. to 1/24 sec. 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec.
*Cannot choose slower shutter speed than framerate for some settings.
Synchronized shutter speed for flash Mechanical shutter: 1/250sec. or slower
Electronic shutter: 1/125sec. or slower
Continuous shooting CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 202 frames, Compressed RAW + JPEG 129 frames, Lossless compressed RAW + JPEG 95 frames, Uncompressed RAW + JPEG 90 frames)

CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 372 frames, Lossless compressed RAW + JPEG 361 frames, Uncompressed RAW + JPEG 223 frames)

CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames)

CH Electronic shutter Approx. 13fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 131 frames, Lossless compressed RAW+JPEG 131 frames, Uncompressed RAW+JPEG 127 frames)

CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 769 frames, Lossless compressed RAW+JPEG 751 frames, Uncompressed RAW+JPEG 302 frames)

CH Mechanical shutter Approx. 15fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 400 frames, Compressed RAW+JPEG 110 frames, Lossless compressed RAW+JPEG 108 frames, Uncompressed RAW+JPEG 104 frames)

CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 512 frames, Lossless compressed RAW+JPEG 492 frames, Uncompressed RAW+JPEG 223 frames)

CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames, Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames)

Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 1000+ frames)
Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 1000+ frames)
Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 1000+ frames)
Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 1000+ frames)

*No. of recordable frames are calculated based on CFexpress Type B card in a cold start
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode AE Bracketing 2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, up to ±3EV steps
Filmsimulation bracketing Any 3 types of film simulation selectable
Dynamic Range Bracketing 100% / 200% / 400%
ISO sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing ±1 / ±2 / ±3
Focus Bracketing AUTO / MANUAL
Multiple Exposure Yes (Max. 9 frames) / Additive / Average / Bright / Dark
HDR Mode AUTO / 200% / 400% / 800% / 800% +
Advanced filter Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Pixel Shift Multi Shot Yes
Focus Mode Single AF / Continuous AF / MF
Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance Contrast: -4.0EV XF50mmF1.0 attached
Phase Detection: -7.0EV XF50mmF1.0 attached
AF frame selection Single point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
All: Yes
Face/eye detection Yes
Subject detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
Flash EF-X8 Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m)
Sync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF
Shoe mount flash Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS)
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF
Synchronized terminal Sync. Mode: 1st Curtain / 2nd Curtain
Flash Mode: MANUAL
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder EVF: 0.5 inch OLED Color Viewfinder, Approx. 5.76 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -5~+3m-1
Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° )
Built-In Eye Sensor
LCD monitor 3.0 inch vari-angle Touch Screen Color LCD Monitor
Aspect Ratio: 3:2
Dots: Approx. 1.62 million dots
Touch Screen Mode Shooting Mode Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting
Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor 1.28 inch Monochrome LCD Monitor
Aspect Ratio: 1:1
Dots: 128x128-dot
Movie recording File format MOV:
Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4:
MPEG-4 AVC/H.264, AAC
Movie compression All Intra / Long GOP
File size
Frame rate
Bitrate
[8K(16:9)] 7680 x 4320 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
[Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording)
[Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording)

*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.
*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.
*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.
*Selectable bitrate will be changed depends on the setting.
*Apple ProRes codec can be only recorded to CFexpress Type B card
*Bitrate for Apple ProRes codec is not selectable.
*Recording time can become short depending on the temperature and/or shooting conditions
Film simulation mode 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Color Yes
Grain Effect Roughness STRONG, WEAK, OFF
Size LARGE, SMALL
Color Chrome Effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic range setting Still AUTO / 100% / 200% / 400%
ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more
Movie 100% / 200% / 400%
ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more
White balance Auto White Priority / Auto / Ambience Priority
Custom Custom1 - 3
Color temperature selection 2500K-10000K
Preset Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting ±5 steps
Self-timer 10sec. / 2sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Wireless transmitter Standard IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption WPA/WPA2 mixed mode, WPA3
Access mode Infrastructure
Bluetooth® Standartd Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency (Center frequency) 2402 - 2480MHz
Terminal Digital interface USB Type-C (USB3.2 Gen2x1)
HDMI output HDMI connector (Type A)
Others ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
Power supply NP-W235 Li-ion battery (included)
Battery life for still images*2 Economy Mode: Approx. 680 frames
Normal Mode: Approx. 540 frames
*When XF35mmF1.4 R is set
Actual battery life of movie capture*2 8K: Approx. 70min. (29.97p)
4K: Approx. 75min. (59.94p)
Full HD: Approx. 85min. (59.94p), Approx. 90min. (120P)
*Face detection is set to OFF
Continuance battery life of movie capture*2 8K: Approx. 100min. (29.97p)
4K: Approx. 120min. (59.94p)
Full HD: Approx. 140min. (59.94p)
*Face detection is set to OFF
Dimensions Width: 136.3mm
Height: 92.9mm
Depth: 84.6mm
(Minimum Depth: 42.8mm)
Weight including battery and memory card: Approx. 660g
excluding battery and memory card: Approx. 579g
Operation Environment Operating Temperature -10℃ - +40℃
Operating Humidity 10% - 80% (no condensation)
Starting up period Approx. 0.49sec.
Accessories included Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
File transmitter/vertical battery grip connector cover
Memory card slot cover
Sync terminal cover
Cooling fan connector cover
Cable protector
Owner's manual

  • *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
  • *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.

Movie Specification

Media Rec (CFexpress Type B card / SD memory card)

Resolution/Aspect Size Frame rate File format/Compression Bit rate*2 Bit depth HDMI outupt
Resolution(Frame rate)/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 3520Mbps(29.97p)*3 10bit FHD 4:2:2 10bit*4 Not
possible
1.0x
ProRes 422 MOV*1 2352Mbps(29.97p)*3
ProRes 422 LT MOV*1 1632Mbps(29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV selected)*4
4K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV selected)*4
Not
possible
1.0x
H.265 Long GOP 4:2:2 MOV
H.265 Long GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
FHD 4:2:2 10bit (When H.265 Long GOP 4:2:2 MOV selected)*4
4K 4:2:2 10bit (When H.265 Long GOP 4:2:0 MOV selected)*4
Not
possible
1.0x
6.2K 16:9 6240 x 3510 29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 2324Mbps(29.97p)*3 10bit FHD 4:2:2 10bit*4 Not
possible
1.0x
ProRes 422 MOV*1 1553Mbps(29.97p)*3
ProRes 422 LT MOV*1 1077Mbps(29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV selected)*4
4K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV selected)*4
Not
possible
1.0x
H.265 Long GOP 4:2:2 MOV
H.265 Long GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
FHD 4:2:2 10bit (When H.265 Long GOP 4:2:2 MOV selected)*4
4K 4:2:2 10bit (When H.265 Long GOP 4:2:0 MOV selected)*4
Not
possible
1.0x
DCI4K HQ 17:9
4K HQ 16:9
4096 x 2160
3840 x 2160
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 939Mbps(DCI 4K 29.97p)*3 10bit DCI4K/4K 4:2:2 10bit Not
possible
1.0x
ProRes 422 MOV*1 627Mbps(DCI 4K 29.97p)*3
ProRes 422 LT MOV*1 435Mbps(DCI4K 29.97p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
Not
possible
1.0x
H.265 Long GOP 4:2:2 MOV
H.265 Long GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
Not
possible
1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit Not
possible
1.0x
H.264 Long GOP 4:2:0 MOV
H.264 Long GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
Not
possible
1.0x
DCI4K 17:9
4K 16:9
4096 x 2160
3840 x 2160
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 1877Mbps(DCI4K 59.94p)*3 10bit DCI4K/4K 4:2:2 10bit Not
possible
59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
ProRes 422 MOV*1 1254Mbps(DCI4K 59.94p)*3
ProRes 422 LT MOV*1 870Mbps(DCI4K 59.94p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Long GOP 4:2:2 MOV
H.265 Long GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit DCI4K/4K 4:2:2 8bit 1.1x 1.0x
H.264 Long GOP 4:2:0 MOV
H.264 Long GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 1.0x
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
ProRes 422 HQ MOV*1 440Mbps(FHD16:9 59.94p)*3 10bit FHD 4:2:2 10bit*5 Not
possible
59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
ProRes 422 MOV*1 294Mbps(FHD16:9 59.94p)*3
ProRes 422 LT MOV*1 204Mbps(FHD16:9 59.94p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps
360Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.265 Long GOP 4:2:2 MOV
H.265 Long GOP 4:2:0 MOV
720Mbps
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 All-Intra 4:2:0 MOV 360Mbps 8bit FHD 4:2:2 8bit*5 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Long GOP 4:2:0 MOV
H.264 Long GOP 4:2:0 MP4
360Mbps
200Mbps
100Mbps
50Mbps
1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
High speed
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
240fps(4×/8×/10×)
200fps(4×/8×)
120p (2x/4x/5x)
100p (2x/4x)
ProRes 422 HQ MOV*1 1760Mbps
(when recording FHD16:9 240p)*3
10bit FHD(59.94p) 4:2:2 10bit*6 Not
possible
1.23x
ProRes 422 MOV*1 1176Mbps
(when recording FHD16:9 240p)*3
ProRes 422 LT MOV*1 816Mbps
(when recording FHD16:9 240p)*3
H.265 All-Intra 4:2:2 MOV
H.265 All-Intra 4:2:0 MOV
720Mbps (when recording)
360Mbps (when recording)
H.265 Long GOP 4:2:2 MOV
H.265 Long GOP 4:2:0 MOV
720Mbps (when recording)
360Mbps (when recording)
200Mbps (when recording)
H.264 All-Intra 4:2:0 MOV 360Mbps (when recording) 8bit FHD(59.94p) 4:2:2 8bit*6
H.264 Long GOP 4:2:0 MOV
H.264 Long GOP 4:2:0 MP4
360Mbps (when recording)
200Mbps (when recording)

HDMI Output

Resolution/Aspect Size Frame rate HDMI outupt
Resolution/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
8K 4:2:2 10bit Not
possible
1.0x
6.2K 16:9 6240 x 3510 29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit*4 Not
possible
1.0x
DCI4K HQ 17:9
4K HQ 16:9
4096 x 2160
3840 x 2160
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit Not
possible
1.0x
DCI4K 17:9
4K 16:9
4096 x 2160
3840 x 2160
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
DCI4K/4K 4:2:2 10bit 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9
FHD 16:9
2048 x 1080
1920 x 1080
59.94p
50.00p
29.97p
25.00p
24.00p
23.98p
FHD 4:2:2 10bit *5 1.1x 59.94p/50.00p:1.14x
29.97p/25.00p/24.00p/23.98p:1.0x

HDMI Output (High speed REC HDMI ONLY)

Resolution/Aspect Size Frame rate HDMI outupt
Resolution(Frame rate)/Sampling/Bit depth
Crop Magnification
DIS ON DIS OFF
FHD 16:9 1920 x 1080 120p
100p
FHD(120p/100p) 4:2:2 10bit 不可 1.23x

HDMI RAW Output

Resolution/Aspect Size Frame rate Crop Magnification
DIS ON DIS OFF
8K 16:9 7680 x 4320 29.97p
25.00p
24.00p
23.98p
不可 1.0x

How To Order

DELIVERY or WALK-IN, IT'S YOUR CHOICE

DELIVERY
  • Same-day delivery available.
  • Nationwide shipping available.
  • METRO MANILA with Delivery fee
    - Grab / Lalamove / Angkas after full payment or COD in-app
     
    OUTSIDE METRO MANILA with via LBC
    - 1 to 2 days after full Payment
    - COD is available for extra Fee
  • Keep your tracking number to monitor items shipped.
WALK-IN
  • Visit us at JG Superstore HQ in Greenhills, San Juan City, Metro Manila, PH.
 
MODE OF PAYMENT
  • Cash on Delivery
  • Bank deposit: BDO, BPI, Metrobank, Unionbank
  • Cebuana Lhuillier, LBC or Palawan Express
  • Gcash, Maya, Paypal or Coins.ph
  • Cash

 

ADDRESS

3F Annapolis Tower, 43 Annapolis St. San Juan, Metro Manila, Philippines

 

OPERATING HOURS

Monday-Sunday - 9:00AM-6:00PM 

For more information, Contact Us:

📞 (+63 917) 136-6900
📞 (+63 917) 188-6900
📞 (+63 917) 168-6900

For business quotation requests:
🌎 corpsales.juangadgetph@gmail.com

For customer service:
🙂 customerservice.juangadgetph@gmail.com

For partnership, collaborations & proposals:
🔷 marketing.juangadgetph@gmail.com

 

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